Category Archives: art

Identifying the crossroads: The purpose behind LiturgicalCredo.com

I spent Monday morning at the tiny All Saints Episcopal Church in Avenue, Maryland. I was there for the funeral of my grandfather, Col. Colin F. Burch, Jr., a flight instructor in WWII and an early engineering hand in the space program and Ballistic Missile Early Warning System. Many of my ancestors are buried in the churchyard. Today, I was thinking about tombstones as crossroads between our lived experiences and our memories, between the seen and the unseen. Tactile memorials usher into our minds incorporeal images of the past. In the process of remembering, we reclaim and reevaluate and reinterpret the past, and perhaps, create new, meaningful works for today.

-Colin Foote Burch

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How can you know if a Buddhist amulet has been blessed? The Buddhist amulet market crashes in Thailand

An interesting and sad article in today’s Wall Street Journal reveals that the crash in Thailand’s Buddhist amulet market is due, in part, to questions about whether some of the amulets were properly blessed by Buddhist monks. How is it possible to really know if an amulet has been blessed? The article explains the extent of the crash:

In a pattern now painfully familiar to investors the world over, the boom was so great — some amulets sold for as much as $75,000 — that the bust could only be close behind. A glut, combined with growing suspicions that many amulets hadn’t been properly blessed by Buddhist monks, has blown the bottom out of the market in the past few weeks. Most of the little clay objects, part of a billion-dollar-plus industry just a few months ago, are now practically worthless.

Is it possible to restore someone’s faith in a blessing that did not take place? Why didn’t some of the amulets prevent the market crash from happening, and the hucksters from taking advantage of the situation?

[The husband of Ms. Saranya, a former talisman dealer] wants talisman experts to try to rescue the market by talking up the magical properties of the amulets to attract yet more buyers. “Governments bail out banks when they get in trouble,” he says. “The talisman experts should do something to restore people’s faith.” The experts are reluctant. “Too many people got too greedy. They were producing and buying talismans purely to make a speculative profit,” says Wiwat Nilnawee, a Bangkok-based amulet trader and national authority on talismans. “Better the market finds its true level.”

But was the whole thing fated?

Some clerics in Thailand say the talisman craze has distracted from true Buddhist teachings. Phra Thepvinyaporn, abbot of Wat Phra Mahatat, claims it is consistent with the faith. “People are just tools of God’s will,” he says. “Buying talismans was a way of providing the means to support our temple.”

The abbot blessed the $13,000 of amulets that Ms. Saranya paid for but never received — and he is now the chief target of her quest for compensation.

Within America’s evangelical malaise, ministers send out items that have allegedly been prayed for, or that allegedly carry a special anointing or blessing, in exchange for a “seed of faith” donation. How does one verify that such a blessing has been given to the item in question? Why does one need to have that much faith in an allegedly blessed thing?

To take this in another direction, a different aspect of this topic involves the use of common, everyday things to express religious faith.

I’m inclined to think that everyday things ought to be used — we think of Jesus’ earthly ministry of mud, spit, water, fig trees, touching, and an incident in which he wrote or drew something in the dirt.

From a more contemporary standpoint, on a more negative note, think of all the junk in mainstream Christian bookstores — pencil sharpeners and coffee mugs and keychains with “John 3:16” or “Jesus” stamped on the side, making one wonder how hard it is to make a buck off religious people. Does one have to have faith to produce stamped pencil sharpeners and mugs and keychains? Is it really an admirable sign of devotion to carry such things? If you really want to, go ahead, but only if you really want to, and not to earn points with people or God.

From a more hip and trendy point of view, perhaps more positive, think of the folk art phenomenon, and of all the religious messages stated and depicted with loud colors on sections of old tins roofs, or boards pulled from delapidated houses.

Then again, my wife and I were driving near Tabor City, N.C., two days ago and in someone’s front yard was a small, yellow motorboat with “Jesus is Lord” stuck on the side in large, pre-fab letters.

“That does not inspire me to worship,” she said.

I agreed.

-Colin Foote Burch

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Good Friday

Updated: Read a 2010 meditation here.

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“Pietà,” 1476, by Carlo Crivelli

Camille Paglia: Only Religion Can Save the Arts

In an article in the Spring/Summer 2007 edition of Arion: A Journal of Humanities and the Classics, Camille Paglia wrote that only religion can save the arts. What follows in an excerpt from Paglia’s article; thanks to the folks at Mars Hill Audio Journal for posting it on their Web site.

Paglia wrote:

For the fine arts to revive, they must recover their spiritual center. Profaning the iconography of other people’s faiths is boring and adolescent. The New Age movement, to which I belong, was a distillation of the 1960s’ multicultural attraction to world religions, but it has failed thus far to produce important work in the visual arts. The search for spiritual meaning has been registering in popular culture instead through science fiction, as in George Lucas’ six-film Star Wars saga, with its evocative master myth of the “Force.” But technology for its own sake is never enough. It will always require supplementation through cultivation in the arts.

To fully appreciate world art, one must learn how to respond to religious expression in all its forms. Art began as religion in prehistory. It does not require belief to be moved by a sacred shrine, icon, or scripture. Hence art lovers, even when as citizens they stoutly defend democratic institutions against religious intrusion, should always speak with respect of religion. Conservatives, on the other hand, need to expand their parched and narrow view of culture. Every vibrant civilization welcomes and nurtures the arts.

Progressives must start recognizing the spiritual povery of contemporary secular humanism and reexamine the way that liberalism too often now automatically defines human aspiration and human happiness in reductively economic terms. If conservatives are serious about educational standards, they must support the teaching of art history in primary school — which means conservatives have to get over their phobia about the nude, which has been a symbol of Western art and Western individualism and freedom since the Greeks invented democracy. Without compromise, we are heading for a soulless future. But when set against the vast historical panorama, religion and art — whether in marriage or divorce — can reinvigorate American culture.

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For something that looks a little like the marriage of religion and the arts, please see our interview with Nicora Gangi, along with images of two of her paintings, at http://www.liturgicalcredo.com/NicoraGangiJuneJuly2007.html .

Creativity: Madeleine L’Engle, 1918-2007

It has only been within the last two weeks that I finished reading Madeleine L’Engle’s Walking on Water: Reflections on Faith and Art. When I heard about her death on Thursday, I choked up and whispered a “thank you” to her. Walking on Water is one of the most life-affirming, creativity-affirming, and art-affirming books I have read.

Only my two-year-old was with me, sitting at the kitchen table on which I had my computer, which I used to view the news stories and the Wikipedia entry about L’Engle. Although I never met L’Engle, I think I said something like, “One of daddy’s friends died,” and my face briefly contorted toward a cry, but little Sadie laughed, thinking I was clowning. Childlike laughter might be the best way to remember L’Engle.

L’Engle proved that childlikeness can be intelligent and broad-minded. Like comedians, children’s writers are often overlooked in the intellectual realm, yet they have both serious and playful minds. Here are some of the passages I underlined in Walking on Water.

Our work should be our play. If we watch a child at play for a few minutes, “seriously” at play, we see that all his energies are concentrated on it. He is working very hard at it. And that is how the artist works, although the artist may be conscious of discipline while the child simply experiences it.

Also:

When I am working, I move into an area of faith which is beyond the conscious control of my intellect. I do not mean that I discard my intellect, that I am an anti-intellectual, gung-ho for intuition and intuition only. Like it or not, I am an intellectual. The challenge is to let my intellect work for the creative act, not against it. And this means, first of all, that I must have more faith in the work than I have in myself.

And:

…I try to take time to let go, to listen, in much the same way that I listen when I am writing. This is praying time, and the act of listening in prayer is the same act as listening in writing.

And this fragment, which could be a life goal:

…accepting the discipline of listening, or training the ability to recognize something when it is offered.

I did not recognize what was offered soon enough. I began Walking on Water years ago and put it down, distracted by the parts of life that do not involve being quiet and listening.

Now that I have recently finished it, I want to read her children’s books, none of which, I am ashamed to say, I have read. I eventually recognized Walking on Water after it had been offered for a long time, and now that I have read it, I am eternally grateful to L’Engle. May light perpetual shine upon you.

Arcade Fire’s prophetic insight

Art plays a prophetic role in our time as much as it has in any other. Whether out of the mouths of babes and sucklings, or from the mouth of an ass, or from the conviction of the faithful, a true insight is chipped from God’s truth. Insight, presented poetically, is what I see in the song “Intervention” by the Canadian band Arcade Fire. The song describes a substantial part of my church experience, as well as the experiences of many others. Here are a few lines from the song:

Working for the Church while

your life falls apart.

Singin’ hallelujah with the fear in your heart.

Every spark of friendship and love

will die without a home.

Here the soldier groan, “We’ll go at it alone.”

(See www.arcadefire.com and www.neonbible.com.)

Colin Burch