Tag Archives: arts

Creativity Taps Both Fallible Reason and Fallible Intuition

The title of this post is my spin on the following book excerpt.

Michael Hyatt writes:

“Most of us have spent a lifetime ignoring — or even suppressing — our intuition. I don’t know if this is a product of modern rationalism or American pragmatism. Regardless, I believe intuition is the map to buried treasure. It is not infallible, but neither is our reason. And it can point us in the right direction. We need to pay attention to this inner voice.”

— from Hyatt’s book Platform: Get Noticed in a Noisy World

The other war on Christmas

When I was a kid, my friends and I would occasionally hear adults talk about the pagan origins of Christmas trees. In our Christian homes, churches, and schools, such talk was not merely chat. It was actionable language. Within those overheard snippets was an implicit threat: possibly an end to the Christmas tree at home, and by extension,  possibly an end to all those great things kids love about Christmas.

The anti-Christmas tree mentality never took root in my home or many other homes (although if memory serves, there were rumors some classmates’ parents had forbidden having a tree).

And I think I know why, at least in a broader sense: holiness movements and purity movements and other moralistic movements seem concerned with things the members should not-be and things they should not-do. Rarely is there a concrete, image-based sense of what is being substituted for the not-ness. (By image, here I mean anything that appeals to the perceptions of the five senses.)

The calling in those holiness, purity, and otherwise moralistic movements seems to be to achieve something more or less invisible and essentially unmodeled. Even the word “holiness,” an abstract concept, is hard to experience. But as the saying goes, nature abhors a vacuum.

So people remain under control of the images and symbols to which they attach (on varying levels, within community as much as within an individual) significance and meaning.

In most areas of life, abstract ideas cannot drive culture out of a community.

Culture is embodied in things and in relationships.

Indeed, a family Christmas tree, with its handed-down ornaments, can be both an embodiment of the holiday and a symbol for the way a particular family joins together at the same time, year after year.

To change the culture, create new, concrete images with subversive intent, and find ways to embody whatever you might be teaching or communicating.

‘What the arts are concerned with’

English: *Works of Hugh of St-Victor *Form/tec...

“This, then, is what the arts are concerned with, this is what they intend, namely, to restore within us the divine likeness.” — Hugh of St. Victor

Hugh of St. Victor is not exactly a household name. Then again, name-recognition is a gauge of only a single, narrow value. As New Advent’s article says, ‘A careful examination of his works has led to a truer appreciation of one whom Harnack (History of Dogma, tr. London, 1899, VI, 44) terms “the most influential theologian of the twelfth century”.’

Andy Warhol’s semi-Stoic psychology — plus 40 more quotations from Thought Catalog

‘Sometimes people let the same problem make them miserable for years when they could just say, “So what.” That’s one of my favorite things to say. “So what.” “My mother didn’t love me.” So what. “My husband won’t ball me.” So what. “I’m a success but I’m still alone.” So what. I don’t know how I made it through all the years before I learned how to do that trick. It took a long time for me to learn it, but once you do, you never forget.’ — Andy Warhol

Perhaps that’s similar to stoicism, or maybe that’s just a forerunner of F***-it Spirituality (it’s a real movement, folks).

Anyway, read 40 more Andy Warhol quotations — some interesting, some heart-breaking, some just plain Warholian — courtesy of this post on Thought Catalog.

Movies as insight into mass fears and desires

“[Gene] Siskel described his job as ‘covering the national dream beat,’ because if you pay attention to the movies they will tell you what people desire and fear. Movies are hardly ever about what they seem to be about. Look at a movie that a lot of people love, and you will find something profound, no matter how silly the film may be.” – Roger Ebert, from an enriching gallery on the Atlantic’s site

Helen Mirren on how songs and paintings differ from acting

“As an actor I’m always jealous painters and indeed of singers because a song can travel straight into the heart the way a painting can. What I do has to be processed by the brain. People have to follow the story. It has to make sense. A song, just a note of a song, can make you feel something. I think likewise a painting can do the same thing.” — Helen Mirren in this video clip

HT to OpenCulture.com

‘Something Wicked This Way Comes’ — the human condition and the carnival

In Ray Bradbury’s 1962 novel Something Wicked This Way Comes, a mysterious, dark carnival has come to town. Charles Halloway, father and library janitor, tries to understand the human condition in relation to the carnival:

“So, in sum, what are we? We are the creatures that know and know too much. That leaves us with such a burden again we have a choice, to laugh or cry. No other animal does either. We do both, depending on the season and the need. Somehow, I feel the carnival watches, to see which we’re doing and how and why, and moves in on us when it feels we’re ripe.”