This is Bjork, projected on a wall at the Museum of Modern Art in NYC. At least two other short films at MOMA also involved the Icelandic artist known for her innovative music and ethereal voice. This past Tuesday, I saw the one called “Black Lake.” For that one, we entered a darkened room the size of a small movie theater. I wish I could say “Black Lake” accomplished something. Projected simultaneously on two screens in a darkened room, on walls facing each other, the only curious thing was the occassional differences between the scenes accompanying the same music. Bjork’s voice was at once lovely and unintelligible. Even the floor and ceiling speakers were under-used. Her performance-artist dancing brought nothing to the indecipherable message, or indecipherable emotion, or indecipherable indecipherableness. The landscapes and settings — cave, rocky passageway, green plain near mountains — redeemed some of the 10 or so minutes I stood stuffed amongst strangers wondering when I would have something to grasp mentally or emotionally. Oh, and among those landscapes and settings, not one black lake. I guess an exotic appearance and an angelic voice allows a woman to take over the MOMA for no apparent reason other than Bjorkness.
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The Anguished QuestionIf you really enquire about God, not with mere curiosity, not, as it were, like a spiritual stamp collector, but as an anxious seeker, distressed in heart, anguished by the possibility that God might not exist and hence all life be vanity and one great madness -- if you ask in such a mood as the man who asks the doctor, "Tell me, will my wife live or will she die?"-- if you ask thus about God, then you know already that God exists; the anguished question bears witness that you know. -- Emil Brunner, "Our Faith"
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